Daffodil Zone Plate

 

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  • Canon EOS 5D Mark IV w/Lensbaby Control Freak with Pinhole/Zone Plate Optic
  • ƒ/19
  • 55 mm
  • 1/2 second
  • ISO 50

When Lensbaby first release their Optic Swap system, I myself,  like many other photographers with GAS (Gear Acquisition Syndrome), rushed to buy the various optics to fit into their mounts.  Overall, it was actually quite an investment, I currently own 12 optics for use with their Control Freak mount as well as their circular fisheye lens.   And like most of the gear I rushed to purchase, it sits in the bag rarely getting put to use.  There is noting wrong with them, Lensbaby makes great products, but their optics are more creative effect, niche type products that have very specific uses.  Recently, I’ve been forcing myself to pull out some of the dust collectors and go for walks with them.

The Lensbaby mounts and optics are entirely manual and can be difficult to use at first.  Lensbaby Control Freak Special Effects SLR Lens - for Can LBCFCFirst, the mounts in the optic swap system are designed to tilt, angling the optic from focal plane of the sensor. This results in a very narrow slice of focus that drops off quickly, similar to the effect of a much more expensive tilt shift lens. But, this also makes it very difficult to find focus, which is achieved by changing the height and angle of the collar and fine tuning with the focus ring. Early optics (Double Glass, Single Glass, & Plastic) didn’t even have internal aperture blades. Aperture was controlled by inserting magnetic disks in front of the optic.

Newer optics (Sweet, Edge and Twist), now have internal, manually adjustable apertures, but the price of the optics, did more than double with that added feature.

Early on, I would focus the best I could through the viewfinder and then take a series of shots moving the focus ring a little between shots, hoping one would come out with the focus where I wanted (often with low success). Later after upgrading to a camera with live view capabilities, using live view, I’ll zoom in on the spot I want in focus, fine tune the focus ring and then take the shot, with much more success.

Lensbaby Pinhole/Zone Plate Optic for Lensbaby Composer, LBOZP
This particular Pinhole/Zone Plate optic (which is inserted into the mount) performs two different functions selective by a small slide on the front. One way it’s a pinhole lens, similar to the pinhole cameras some of us made out of cardboard boxes as kids. With a F/177 f-stop, focus is pretty much a moot point as the DOF is almost everything in front of the camera, but you do have to stop the shutter speed down significantly to achieve proper exposure.  Images are not tack sharp, but do achieve the desired look of the old cardboard boxes.

The other way, the optic operates as a Zone Plate Lens. The Lensbaby Pinhole / Zone plate Lens. Specs. MTF Charts. User ...Equivalent to F/19, with a small mask in front of the opening.  This series of concentric circles diffracts light creating a soft, ethereal look, as seen it the image of the daffodil above.

Procrastinate Later

I almost always have my camera with me and on those rare occasions when I don’t, I still have my phone which still takes a pretty decent image. I frequently will see something that I think would make an interesting photo but don’t always take a moment to get the shot. Usually, I’m in a hurry and think I’ll come back for it another time. However, I’ve come to realize, that rarely happens and sometimes when I do, the opportunity to capture what caught my eye, doesn’t always recreate itself.

For example, for many years, there was an old, and very elaborate, carriage house full of old cars, that I frequently passed by. The property was overgrown and the building was in really bad shape. I always thought it would make for some great photos and put it on my mental list of places to go back to. Unfortunately, I never did and one day discovered the building and cars were all gone. An empty dirt lot was all that remained. Another photographer, that I am familiar with, had a handful of images of it, but I missed the opportunity to shoot it myself .

Abandoned Cars & Building

Photo by Marc Fitzsimmons via Flickr. This was just one end of the building, it went back about another 80 feet with bays on both sides, each with an old car parked within. I could have spent days shooting there.

Another time, I was walking around the city with my camera, shooting some street photography. I walked around a corner onto a side street and immediately notice about half a block up, a collage age girl sitting on the sidewalk, leaning up against the wall, looking down at her cell phone like many kids do these days. What really caught my eye was a sliver of sunlight coming between the buildings, fell directly on her and she was dressed in what appeared to be a light gray plaid, school girl type uniform partially covering a large, vibrantly colored tattoo on her leg. It would have been a great Street Photography shot, not up close but back from the corner. The girl with the vibrantly colored tattoo sitting on the sidewalk of what was a dull, low contrast and somewhat empty street.  Background Note: there turned out to be a Harry Potter themed Pub Crawl event occurring and there were hundreds of college aged participants wandering around downtown, in costumes.  This time, I was uncomfortable approaching her to ask for permission to take her photo so I didn’t get the shot when the opportunity presented itself. Come on, an older guy approaching her with a camera asking to take her picture just seems creepy.  I’ve often thought back and wished I had stopped and asked. I’ve since starting carrying business cards with my various online profiles listed (Website, Instagram, Flickr, etc. ) I’ll introduce myself with a card, show them my IG feed, explain what I’m doing, and politely ask if I can take their photo, offering to send them a copy. I’ve gotten a number of Instagram followers this way. A simple technique I learned during PhotoWalk with New York Photographer, Charles Chessler. He has a great photo series called “Agreeable Strangers” where he does brief, impromptu portrait photos of random people he met on the street. Many people will be open to having their photo taken if you just sincerely ask. If they say no, no harm, thank them and move on, but at least try.

The point here is to always take the shot, when you discover it. A photo missed is just a memory. Photographs are proof that just once, even for a heartbeat, everything was perfect.

Spring Point Ledge Lighthouse

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Spring Point Ledge Lighthouse